“Am I young for a father?” Dino Versini (Walter Chiari) asks his girlfriend, Elsa (Michèle Mercier), in the opening scene of Dino Risi’s 1964 film The Thursday (originally Il giovedì). Dino is forty and looks it, so the inquiry seems more than a little silly. Is it simple vanity that compels him to pose this question, a barely veiled attempt to elicit a compliment on his appearance, or does it spring from a deeper insecurity? It’s just possible, also, that at least some part of him genuinely regards himself as someone too youthful to be the parent of an eight-year-old-boy. Today, for the first time since his marriage broke up five years ago, he’s going to spend time with his son, Robertino (Roberto Ciccolini). Although he may not realize it yet, their reunion will force him to confront both his image of himself and the image he tries to project to the world — whatever difference there may be between them.