Storytelling: The Bakery Girl of Monceau (1963)

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“My intent was to film not raw, unvarnished events but rather the account of them as given by one of the characters,” Éric Rohmer wrote in the companion book to his Six Moral Tales series. “The story, the selection and arrangement of the facts, as well as the way they were learned, happened to relate very clearly and specifically to the person relating them, independently of any pressures I might exert on that person. One of the reasons these tales are called ‘moral’ is that they are effectively stripped of physical action: everything takes place in the narrator’s mind. The same story, told by someone else, would be quite different, or might well not have been told at all.” His 1963 film The Bakery Girl of Monceau, the first entry in the series, exemplifies this approach in a compact twenty-three minutes.

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