In the midst of writing a post on two of Ozu’s silent films, I looked up Mikio Naruse’s filmography on Wikipedia and was reminded that his silents, in particular, are a goldmine of delightful and intriguing titles (at least in English). What a shame that practically all of them are lost, though I do have to wonder if Fickleness Gets on the Train or The Scenery of Tokyo with Cake could ever live up to my expectations.
Tag: Mikio Naruse
Hidden Depths: Haruko Sugimura

If a viewer watches enough of Yasujirô Ozu’s work, many of the actors become as familiar as old friends. Perhaps it’s something in the nature of his films, in their largely low-key, down-to-earth, everyday quality, or perhaps it’s because the actors who appear in multiple Ozu movies often play similar characters. At any rate, there’s a definite pleasure in seeing certain faces pop up again and again. Along with the iconic Setsuko Hara and the ubiquitous Chishû Ryû, one of the most memorable of these performers is Haruko Sugimura — even if her characters aren’t always particularly pleasant people.
A Woman on Her Own: When a Woman Ascends the Stairs (1960)
“Who’d ever want to work in a bar? Drinking ’til I’m sick, being a plaything for men. I haven’t enjoyed a single day since I started.”
Mikio Naruse’s 1960 film When a Woman Ascends the Stairs depicts several months in the life of Keiko Yashiro (Hideko Takamine), a hostess in Tokyo’s Ginza district. Night after night, she climbs a steep staircase and enters the bar at the top, where it’s her job to flirt with the customers, encourage them to buy drinks and keep them coming back for more. Although it’s not full-fledged prostitution, many of the hostesses do have patrons, wealthy men who pay for their rent and other expenses in exchange for sex. Keiko — or “Mama,” as she’s known to her co-workers — is an exception, even after five long and difficult years in the profession. “A woman shouldn’t be loose. That’s one rule I’ve followed,” she tells a younger hostess named Junko (Reiko Dan). “I’m not a prude, but if I let go once, it’d be too hard to stop.”
Continue reading “A Woman on Her Own: When a Woman Ascends the Stairs (1960)”