A Letter Written by Hand: The Green Room (1978)

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“There have been many, too many, deaths around me, of people I’ve loved, that I took the decision, after Françoise Dorléac died, never again to attend a funeral, which, as you can well imagine, does not prevent the distress I feel from casting its shadow over everything for a time and never completely fading, even as the years pass, for we live not only with the living but also with all of those who have ever meant anything in our lives.”

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Engineering a Train in the Night: Day for Night (1973)

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“It’s often occurred to me that one might make a first-rate comedy on the making of a movie,” François Truffaut remarked during a 1962 conversation with Alfred Hitchcock, the basis for his book on the Master of Suspense. At that point, Truffaut was still a relative novice as a director, with only three feature films and a few shorts to his name. By the time his idea came to fruition in the form of 1973’s Day for Night, he had acquired ample experience, good and bad, from which he could draw material, and draw from it he did.

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