A Musical Interlude: Pastorale (1975)


At one point in Otar Iosseliani’s Pastorale (1975), a train trundles through the Georgian countryside in which the film takes place, announcing its approach with a low blast of its horn that almost immediately gives way to a song sung in the nation’s traditional polyphonic style. Though it’s mixed with the rattling of the locomotive, the music appears to be non-diegetic; there’s no obvious sign of singing among the laborers in the fields who pause in their work to watch the train go by, who stand all but motionless while they stare at the passengers staring back at them. Could it be, perhaps, that this music is what the agrarian scenery evokes in the minds of the more urban-looking passengers?

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