Jean Renoir has been quoted as saying, “A director makes only one movie in his life. Then he breaks it into pieces and makes it again.” When François Truffaut, one of Renoir’s most fervent admirers, made his first film in 1954, he was so displeased by the result — the eight-minute short Une Visite — that he considered destroying it; he didn’t even screen it for his friends until 1982. Three years would pass before he tried directing again, during which time he continued writing film criticism and also worked as Roberto Rossellini’s assistant. This experience paid off. His second short, Les Mistons, would be far more successful and was, in many respects, the movie that he would break into pieces and make again throughout his career.
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