If I had to pick one decade as my favorite for movies, I think I would have to go with the 1960s. Picking my six favorite movies from that decade? That’s a little more difficult. (It’s hard enough to limit myself to six favorites from a single year of the decade.) After much debate, I’ve decided on the following films (listed chronologically), though there are probably about two dozen other titles that could just as easily have made the cut.
“We’re like everyone else now — we’re not registered. They’ve burned the records. We’re just ordinary women now.”
In 1958, Italy passed the Merlin Law, which shut down the country’s brothels. Two years later, Antonio Pietrangeli’s film Adua and Her Friends was released, offering a look at the effects of this legislation on four prostitutes. Although the characters and their story are fictional, the challenges they face as they try to start a new life are, no doubt, not unlike those experienced by many of their real world counterparts.
Federico Fellini, speaking to Irving R. Levine in a 1965 interview for NBC News, admitted that he rarely went to the movies. “I do my work with such passion that I don’t know how to be just a spectator,” he explained. Asked about contemporary directors whom he admired, he could only come up with three names. One was Akira Kurosawa; another was Alfred Hitchcock; the first was Ingmar Bergman. “I’ve only seen two of his films, Wild Strawberries and The Magician, but they were enough to make me love him like a brother.” The following year, in an interview with the French magazine Positif, he reiterated his high regard for Bergman, whom he described as “a really gifted man, a true author, a real showman.” He also noted that 1958’s The Magician “upset me, in a way, because it is exactly the same as a story I wrote four or five years ago and meant to film — in a different atmosphere, of course. It’s Nordic and I’m Mediterranean, Latin, but the subject is exactly the same.” Although his variation on The Magician never made it to the screen, one of Fellini’s most famous films does share a number of similarities with the other Bergman movie he had seen.
Federico Fellini’s 8½ is the story of a director who doesn’t know what to do for his next movie, made by a director who didn’t know what to do for his next movie. Confused? That’s only the beginning.