In the midst of writing a post on two of Ozu’s silent films, I looked up Mikio Naruse’s filmography on Wikipedia and was reminded that his silents, in particular, are a goldmine of delightful and intriguing titles (at least in English). What a shame that practically all of them are lost, though I do have to wonder if Fickleness Gets on the Train or The Scenery of Tokyo with Cake could ever live up to my expectations.
Cinematic Scribblings 