Early on in François Truffaut’s 1971 film Les deux Anglaises et le continent, or Two English Girls, sisters Anne (Kika Markham) and Muriel Brown (Stacey Tendeter), their mother (Sylvia Marriott) and their house guest, Claude Roc (Jean-Pierre Léaud), get caught in the rain. After the group takes shelter in a small cave, Mrs. Brown suggests that they play a game called citron pressé (“squeezed lemon”) in order to pass the time until the weather improves. Her daughters agree eagerly and sit down on either side of her, their backs against her arms while she faces forward, and begin to rock her to and fro, first one leaning backwards and then the other. Laughing and out of breath, Mrs. Brown soon invites Claude to take her place, which he does — but what was merely an innocent diversion for the Browns becomes something quite different for the young Frenchman. “Suddenly he was a pawn in a strange game. Squeezed between the girls, he didn’t dare breathe. He’d never even touched their hands. Now their supple backs thrust against him. It was like an indiscretion,” the narrator (Truffaut himself*) says as Claude is pushed from side to side, surprise, pleasure and uncertainty flickering across his face.